Personally, I’m kind of on the fence with Neil Young as an
artist. After listening to his album “After the Gold Rush” released in 1970, I
think I have gotten a pretty good sense as to what his music is all about.
There are certain aspects of his music that are very polished but his solo lead
vocals act as a road block for me. I simply cannot get over the shrillness or
whiny sound that he emits through his music. It’s somewhat disappointing to me
to be honest. Young’s music is somewhat like a Thanksgiving Dinner gone awry.
No matter how good the surrounding dishes are (I’m thinking stuffing, gravy,
potatoes, cranberries… yum!), if the turkey is bad, the dinner won’t live up to
expectation.
Similarly, Neil Young expertly creates songs. Throughout all
of his songs, he is able to make the background music tell his story along with
the lyrical poem that he creates. The constant presence of “down-to-earth”
instruments such as the acoustic guitar and the piano enable his songs to have
a much more clean and simplistic sound. This starkly contrasts other heavier
sounding rock at the time such as Sabbath! The instrumentals that back up this
famous singer are polished and do not overpower the songs; simply serve them.
Additionally, I am amazed at Neil Young’s ability to compose
literature. No, no, not a play or a novel! He is so talented at songwriting
that I consider it literature! While this may seem rather hyperbolic, I think
he deserves this recognition. This is another reason why I believe he resembles
(and was probably influenced by) Bob Dylan. While his vocals are not exactly up
to par, he compensates by telling a story through his music. The instrumentals
themselves could support the music that he creates, but the fact that on top of
that he makes music that make a listener enter deeper thought is truly
astounding. Usually I don’t rave this much about lyrics but when I read the
below stanza of “Don’t Let It Bring You Down” I knew this man had some writing
talent:
Old
man lying
by the side of the road
With the lorries rolling by,
Blue moon sinking
from the weight of the load
And the buildings scrape the sky,
Cold wind ripping
down the alley at dawn
And the morning paper flies,
Dead man lying
by the side of the road
With the daylight in his eyes.
by the side of the road
With the lorries rolling by,
Blue moon sinking
from the weight of the load
And the buildings scrape the sky,
Cold wind ripping
down the alley at dawn
And the morning paper flies,
Dead man lying
by the side of the road
With the daylight in his eyes.
If you heard a slight rumble in the
background, that was the sound of my mind being blown by the depth of those
lyrics!
Now let’s get to the grudges. I’m just
going to address the problems head-on. Neil Young should have seriously
considered giving up singing. But then again what do I know? I’m just a guy
behind a computer screen while he attained an amazingly successful career in
music! Despite this, his voice sounds horrid in a majority of his songs.
Whenever he tried singing in a higher octave, he resembled the sound I would
imagine Elmo’s voice to be if he were on drugs. At times in the album, I
cringed because I couldn’t stand the way that his lead vocals completely
wrecked the great countermelodies! The way that his weak voice works the songs,
I felt like I was in a Mr. Rodgers episode or on Sesame Street.
I noticed that the two songs that I
mostly enjoyed were the two that he sung at a lower octave and didn’t do much
vocal fluctuations. This enabled his areas of strength to shine through in my
opinion. The two best songs on the album for me were “Southern Man” and “Oh
Lonesome Me”. When there are harmonies in the songs, they nullify the horrid
sound of Young’s voice and enable the cooler electric guitar strums, piano, and
beats take over. While “Oh Lonesome Me” has a much more mellow tone and I
think it prevented Neil Young from vocally wrecking it. I don’t like when he
tries too hard to hit the high notes. The electric guitar strums in the
background spice up an otherwise soft sound driven by a slow hi hat and long
drawn out harmonica. Both of these songs are pretty funky and generally good,
though. Whether you love him or hate him, it cannot be ignored that Neil Young was
a very strong artist of his time.
I had the same issues with both Dylan and Young at your age. In time, i grew to appreciate that they were comfortable sounding like themselves, and thereby sounding unique and identifiable.
ReplyDeleteI feel like the more that radio becomes polished to the same level of inhuman perfection, the more I value that humanity in a performance.
Just my two cents.